Arts & Sciences Research Paper #3. A Small Comparison of the Rapier Styles of Ridolfo Capo Ferro and Salvator Fabris
Our third A&S Research Paper comes to us from Master Donovan Shinnock, of the Shire of Quintavia, and is drawn from his study of the historical masters of rapier fighting. (Prospective future contributors, please check out our original Call for Papers.)
A Small Comparison of the Rapier Styles of Ridolfo Capo Ferro and Salvator Fabris

Salvator Fabris and Ridolfo Capo Ferro are two of the most recognizable names in Italian rapier. Fabris’ manual, “Lo Schermo, overo Scienza d’Arme” (“On Fencing, or Knowledge of Arms”) was printed in 1606, sponsored by the King of Denmark. Capo Ferro’s manual, “Gran Simulacro dell’Arte e dell’Uso della Scherma” (“Great Representation of the Art and Use of Fencing”) was published in 1610, in Siena, Tuscany. While Fabris and Capo Ferro both drew on the same basic underpinnings of Italian rapier theory and applied them to the same ends, the application of these principles looks very different. However, despite these visual and mechanical differences, the end results are similar. But even with the similarity of the end results, some interesting differences between the two masters can be found.
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