Our twenty-fifth Research Paper comes to us from Lady Astriðr Musa of the Barony of Concordia of the Snows. Her reconstruction of a late-period garment has led her into a deep look into the tools of Elizabethan clothing, which she is here to share with us! (Prospective future contributors, please check out our original Call for Papers.)

The tools of Elizabethan clothing: Sheep to garment

A riding cloak made in the Spanish style by the author. Photo courtesy of Stephanie Miklacic.

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Our twenty-fourth Research Paper comes to us from the members of the Accademia della Danza, chiefly of the Barony of Carolingia and the Shire of Quintavia. It has been their mission these past two years to transcribe and decode an original fifteenth-century manuscript that may be a reference book? an archive? a mystery and a riddle of the terpsichorean arts? Look within and learn what they have discovered! (Prospective future contributors, please check out our original Call for Papers.)

The Gresley Dance Collection

Two pages of the Gresley dance manuscript. Image courtesy the Derbyshire County Council.

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Our twenty-third A&S Research Paper comes to us from Baroness Ysabella de Draguignan, of the Barony of Dragonship Haven. She takes a closer look at the historical roots of a very public upcoming holiday – Valentines’ Day! (Prospective future contributors, please check out our original Call for Papers.)

The Roots of Valentines’ Day

Venus presiding over a group of men and women, who are presenting their hearts to her. The Book of the Queen, by Christine de Pizan (1410), f100r, MS Harley 4431. Image courtesy The British Library,

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Our twenty-second A&S Research Paper comes to us from Lady Onóra ingheainn Uí Rauirc of the Barony of An Dubhaigeainn. She takes us through her process of recreating a manuscript page in the Persian style, and shows us some fascinating things in the process. (Prospective future contributors, please check out our original Call for Papers.)

Recreating an Illuminated Persian Manuscript Page

Detail view of final painting. (Photo courtesy of Lady Onóra.)

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Our twenty-first Research Paper comes to us from Lady Elena Hylton of the Barony of Carolingia. She examines over 100 paintings to explore the question of how lacing holes on women’s gowns were arranged over the course of a century – and discovers a surprising difference from the conventional wisdom!  (Prospective future contributors, please check out our original Call for Papers.)

Symmetrical vs. Asymmetrical “Offset” Lacing on Front-Laced Women’s Gowns in Western Europe, 1450s-1550s

Style of Domenico Ghirlandaio. Costanza Caetani. 1480-90, London, The National Gallery.

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Our twentieth A&S Research Paper comes to us from Lady Tola knitýr, of the Shire of Quintavia. She examines the history and background of these beautiful small purses, and then demonstrates how they can be made by a skilled modern craftsperson. (Prospective future contributors, please check out our original Call for Papers.)

Knit Purses in 14thC Switzerland

Detail of Lady Tola’s reconstruction of a fourteenth-century knitted purse.

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Our nineteenth A&S Research Paper comes to us from Lord John Kelton of Greyhorn, Guildmaster of the Honourable Company of Fermenters of the Barony of Concordia of the Snows. He considers the fascinating question of distilled spirits within our historical period – specifically the possibility of such spirits in SCA-period Mexico. (Prospective future contributors, please check out our original Call for Papers.)

Tequila: Is it a Period Beverage? A Brief History of Agave Based Fermented and Distilled Beverages and the Origins of Distillation in West-Central Mexico

Mayahuel, the Aztec goddess of the maguey. From the Rios Codex via Wikimedia Commons.

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Our eighteenth A&S Research Paper comes to us from Mistress Sarah Davies of the Barony of Bergental, who introduces us to the surprising world of historical quilting, where we discover some familiar friends and some quite unfamiliar new ones! (Prospective future contributors, please check out our original Call for Papers.)

Early Quilting and Patchwork: A Short Introduction

Silk quilt by Mistress Sarah Davies. Photo by Master Henry McQueen.

The word “quilt” summons a host of images:

• Thrifty pioneer housewives cutting up worn clothing to piece elaborate patchworks for their families.

• Album quilts raffled off for a worthy cause.

• Wholecloth petticoats worn by colonial dames who danced with George Washington, then carefully preserved in a museum.

• Brightly colored feed sack quilts during the Depression.

• Community quilts telling the story of a town from its founding to the Bicentennial.

• Inexpensive versions of patchwork quilts sold in department stores for families wanting that “country look” in the bedroom.

• Cherished art quilts hanging in museums or going for high prices at auction.

The popular image of the quilt is of the quilt is modern, calico, and as all-American as an apple pie.  If the word “medieval” ever comes up, it’s because someone made a Game of Thrones quilt with appliqued dire wolves in the border.

The problem with this familiar stereotype is thatit doesn’t begin to reflect reality.  Patchwork and applique may be most associated the United States, but quilts themselves are anything but modern. Quilted carpets were prized on the steppes of Central Asia, quilted garments padded Crusader mail and protected Elizabethan fencers, quilted coverlets graced Tudor bed chambers, and quilted heraldic tapestries hung in Hungarian throne rooms. The evidence is scattered and sometimes hard to recognize, but quilting and patchwork were hardly alien to medieval Europe. Continue reading →

Our seventeenth A&S Research Paper takes a turn to the lighthearted, and comes to us from Mistress Aildreda de Tamworthe of the Barony of Carolingia. She offers a tabloids-eye view of some of the more ghastly deaths of the medieval period – not necessarily to be considered for our lunchtime readers! (Prospective future contributors, please check out our original Call for Papers.)

You Won’t Believe How They Went! Five Strange and Terrible Medieval Ends

Who is this? Read on to find out the unbelievable truth!

Nothing in his life / Became him like the leaving it.
– Wm. Shakespeare, Macbeth (1605), I.iv.

A person can achieve historical notoriety in many ways; brave deeds, terrible deeds, happy or cruel accidents of birth and geography, or even a greatly distinctive appearance. But one certain way to be remembered for posterity is to die in some memorable fashion. Today, the East Kingdom Gazette brings you five tabloid stories from history, wherein we learn of some of the more notorious exits of the Middle Ages. Please note that some are quite gruesome!

(NB: Like all good stories, these have been embroidered in the telling and the recollection. We have endeavored to provide the true tale in every case.)

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Our sixteenth A&S Research Paper comes to us from Lord Drake Oranwood of the Shire of Rusted Woodlands, who examines the work of the Elizabethan songwriter Thomas Campion, and uses his texts as a way to look closely at the role of women in that complex society. (Prospective future contributors, please check out our original Call for Papers.)

The Double Bind: Thomas Campion and Elizabethan Women

Young Lady Aged 21, possibly Helena Snakenborg, later Marchioness of Northampton. By English School, 16th century [Public domain], via Wikimedia Commons